When To Move On: Series and Seasons

Since February of this year, I have been working on my Snowy Trees series. Thus far, I have made six paintings, each 30 x 40 cm / 12 x 16 inches, acrylic on canvas. The paintings are lined up along a wall so I can see the collection as whole. I’m pleased with the compositions, cohesion, variety of light and the colour palettes. But a question has arisen: is it time to move on?

From left to right: Snowy Trees VI, Snowy Trees III, Snowy Trees II, Snowy Trees I, 2022.

This is a question that comes up when working on an individual painting or when working on a series. The answer to both is primarily a question of intuition. I just “know” or feel when a painting is done. Towards the end of the process of an individual painting, I will have dealt with the both the large-scale issues of composition and colour and the small-scale issues of detail. I notice that my brush strokes become increasingly intentional, and they are fewer. A dab of white, a step back, another dab, a longer pause to consider and I know to put the brush down (this doesn’t mean it is always easy to do so).

But when to move on from a series? For this, intuition plays a role but so does a sense of feeling that a subject has been sufficiently explored. And alongside this, situational elements, like the changing seasons, play a role in deciding to move on or to keep working on a particular theme, at least for me.

I started the Snowy Trees series wanting to explore the colours of winter, the contrast between soft snow and the strong lines of the trees upon which it rested. Snowy Trees IV reflects the changes in colour as day turns to night, a yellow-orange light shining from the background interior. Snowy Trees III is set in twilight, a soft darkness when the trees outside the window are still visible but just barely. There is a shift taking place and the visibility of the branches will soon be swallowed up by night.

My latest painting, Snowy Trees VI, was inspired when I looked outside my bedroom window one morning. I noticed the vertical trees against a background of layered horizontal trees and snow. A stripe of white was softened by blues, purples, browns, pinks and orangy-rust colours of the tree’s bark. Here is the sixth painting:

Snowy Trees VI, 40 x 30 cm,/ 16 x 12 in., acrylic on canvas, 2022.

I had not planned a specific number of paintings but trusted that a natural conclusion would happen and I would know when it was time to move on. I have been following the seasons, although the weather has been a little erratic! Last week, while walking through a freezing winter storm, I thought for sure, Snowy Trees will continue on! Less than a week after that, temperatures were in the high teens (Celsius), and it was too warm to wear even a light jacket.

Now that the clocks have changed, small bright flowers are peaking out of the earth, and it is officially Spring, I think I am ready to see what’s next and deem my Snowy Trees series complete – at least for this winter! As always, I will be taking inspiration from around me. Warmer weather means I have gotten back to my nature walks and will be collecting new material from which to draw. Inspiration comes from the little buds I see in the front gardens during my neighbourhood walks or a bouquet in my home that changes daily as the flowers open up. I am not sure what will come out next, but like the seasons, I am beginning anew!

Flower bouquet in the home.

Thanks for reading!

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